タイトル ： "Kitsune" 　　紙　　 ：　土佐・楮 　紙サイズ ：　630mm x 990mm 　版数/色数： 2 色 　限定部数 ： 5　部 　制作年　 ： 2001 　価　　格： ￥300,000 　タイトル ： "Kitsune" 　　紙　　 ：　ARCHES 　紙サイズ ：　190mm x 280mm 　版数/色数： 1 色 　限定部数 ： 5　部 　制作年　 ： 2001 　価　　格： ￥90,000

João Penalva

1949 Born in Lisbon
1976-1981 BA and MA Fine Art Degrees, Chelsea School of Art, London
     Living and working in London from 1976

AWARDS and RESIDENCIES

1978-1980 Fundação Calouste Gulbenkian Bursary, Lisbon
2000 Sciart Research Award, London
2003-2004 DAAD - Deutscher Akademischer Austauschdienst Berlin Künstlerprogramm
2005 Les Récollets Artist Residency, Paris

SOLO EXHIBITIONS

1983 Galeria Roma e Pavia, Oporto
     Galeria de Arte Moderna, Sociedade Nacional de Belas Artes, Lisbon
1984 Cooperativa Árvore, Oporto
1987 Sala Atlantica, Galeria Nasoni, Oporto
     Francis Graham-Dixon Gallery, London
1990 Galeria Atlântica, Oporto
     Centro de Arte Moderna, Fundação Calouste Gulbenkian, Lisbon
1991 Galeria Atlântica, Oporto
1992 Francis Graham-Dixon Gallery, London
1993 Galeria Atlântica, Oporto
1995 Michael Hue-Williams Fine Art, London
1996 Galeria Pedro Oliveira, Oporto
     Agostinho Ricon Peres, Oporto, 
     Cleveland, London
     XXIII Bienal Internacional de S. Paulo
1997 Museu da Cidade, Lisbon
     Galeria Pedro Oliveira, Oporto
1999 Centro Cultural de Belém, Lisbon
     Frac Languedoc-Roussillon, Montpellier
2000 Camden Arts Centre, London
     Contemporary Art Center, Vilnius
     Galerie im Taxispalais, Innsbruck
     Tramway, Glasgow
     Fig-1, London
     Public Art Development Trust, London
2001 porta 33, Funchal, Island of Madeira
     Galerie Volker Diehl, Berlin
     Pavilion of Portugal, XLIX Biennale di Venezia
     13 quai Voltaire, Caisse des Dépots et Consignations, Paris
     Barbara Gross Galerie, Munich
2002 The John Curtin Gallery, Curtin University, Perth, Australia
     Rooseum Centre for Contemporary Art (with Matts Liederstam), Malmö
     Galeria Mário Sequeira, Braga
     Max Protetch Gallery, New York
2003 Institute of Visual Arts, University of Wisconsin, Milwaukee
     Galeria Filomena Soares, Lisbon
     The Power Plant, Toronto
2004 Galerie Volker Diehl, Berlin
     Barbara Gross Galerie, Munich
2005 Serralves Museum of Contemporary Art, Oporto
     Ludwig Museum ― Museum of Contemporary Art, Budapest
2006 Galeria Filomena Soares, Lisbon
     Irish Museum of Modern Art, Dublin
2007 DAAD Gallery, Berlin
     Mead Gallery, Warwick Arts Centre, University of Warwick, Coventry
2008 Solar ― Galeria de Arte Cinemática, Vila do Conde, Portugal
     Video works 1999/2007, Serralves Museum of Contemporary Art, Oporto
     Video works 1999/2007, Portuguese Cinamathèque, Lisbon
     Video works 1999/2007, Auditório Municipal, Vila do Conde

GROUP EXHIBITIONS

1980 New Contemporaries, I.C.A., London
     Stowells Trophy 1980, Royal Academy of Arts, London
1981 O Papel Como Suporte, Sociedade Nacional de Belas Artes, Lisbon
1983 Pintores Portugueses Residentes no Estrangeiro,
     Galeria Almada Negreios, Secretaria de Estado da Cultura, Lisbon
     VI Bienal de Pontevedra, Pontevedra
     V Bienal de Vila Nova de Cerveira, V.N. de Cerveira
     Premio Amadeu de Souza Cardoso, Fundçãao de Serralves, Oporto
1989 Berry Street Open Studios, London
     Um olhar sobre a pintura portuguesa contemporânea, Fundçãao de Serralves, Oporto
     Eleven Artists, Francis Graham-Dixon Gallery, London
1990 Works on Paper, Francis Graham-Dixon Gallery, London
     Four painters from London, Galería Colégio de Arquitectos, Malága
1991 Gallery Artists, Graham-Dixon Gallery, London
     Five Years, Francis Graham-Dixon Gallery, London
     Gallery Artists, Turske Hue-Williams, London
     Recent British Painting - Arts Council Collection, Royal Festival Hall, London;
    Darlington Arts Centre, Darlington;
    University of Northumbria, Newcastle upon Tyne;
    Oriel Gallery, Mold;
    The Drumcroon Gallery, Wigan
     Coincidências, II Jornadas de Arte Contemporânea, Old Customs House, Oporto
1994 Every Now and Then, Richard Salmon Ltd, London
     Quando o mundo nos cai em cima, Centro Cultural de Belém, Lisbon
     The day after tomorrow, Centro Cultural de Belém, Lisbon
     Colecção Manuel Brito, Museu do Chiado, Lisbon
1995 Peninsulares, Galeria Antoni Estrany, Barcelona
1997 Summer Collection ’97, South London Gallery, London
     Urban Mirage, Hiroshima Art Document ’97, Hiroshima
     Enough, Duende, Rotterdam
     Anatomias Contemporâneas, Fundição de Oeiras, Lisbon
1998 Enough, The Tannery, London
     Artistas da Galeria, Galeria Pedro Oliveira, Oporto
     La sphère de l’intime, Le Printemps de Cahors, Cahors
     Novas Incorporacións, Fundación ARCO ― Colección Permanente,
     CGAC, Centro Galego de Arte Contemporánea, Santiago de Compostela
     Books as Art, Cheltenham Festival of Literature,
    Cheltenham Museum and Art Gallery, Cheltenham
     Neither/Nor, Living Arts Museum, Reykjavik
1999 Signs of Life, I Melbourne International Biennial, Melbourne
     Fourth Wall, Public Art Development Trust, Royal National Theatre, London
     Dots & Loops, MK Expositieruimte, Rotterdam
     East Wing Collection, Courtauld Institute of Art, London
     The Office of Misplaced Events (Temporary Annexe), Lotta Hammer Gallery, London
     From Where to Here, Konsthallen Göteborg, Gothenburg
2000 Fossick, Sali GIA, London
     Waiting, Mjellby Konstgård, Halmstad
     Initiare ― Colecção de Arte Contemprânea IAC/CCB, 
    Aquisiçães 1997-1999, Centro Cultural de Belém, Lisbon
     Art & Industry 2000 Biennial, Christchurch
     More works about buildings and food, Fundição de Oeiras, Oeiras
2001 Itazu Litho-Graphik, Museum Haus Kasuya, Tokyo
     Berlin Biennale 2, Berlin
     Have you got time?, LiebmanMagnan, New York
     Total object complete with missing parts, Tramway, Glasgow
     Novas Aquisiçães e Doçãoes, Museu do Chiado, Lisbon
     Cine y Casi Cine, Museu Nacional Centro de Arte Reina Sofia, Madrid
     Impresiones, Calcografia Nacional, 
    Real Academia de Bellas Artes de San Fernando, Madrid
     This side and beyond the dream, Sigmund Freud-Museum, Vienna
2002 The long long story night, Haus der Kunst, Munich
     11th Biennale of Sydney, Museum of Contemporary Art, Sydney
     Video avond, TENT.Centrum Beeldende Kunst, Rotterdam
     "…confiture demain et confiture hier ― Mais jamais confiture aujourd’hui…", 
    Centre Régional d’Art Contemporain Languedoc-Roussillon, Sète
     Diferença e Conflito, O Século XX nas Coleçções do Museu do Chiado, 
    Museu do Chiado ― Museu Nacional de Arte Contemporânea, Lisbon
     Body Power/Power Play, Württenbergischer Kunstverein, Stuttgart
     Tech/No/Zone, Museum of Contemporary Art, Taipei
2003 Under Ground, Staatliche Kunstsammlungen Dresden, Galerie Neue Meister, Dresden
     Infallible ― In Search of the Real George Eliot, The Gallery at APT, London
     The Labyrinthine Effect, Australian Centre for Contemporary Art, Melbourne
     Prophetic Corners, The 6th Peripheric Biennial, Iasi, Romania
     Continuare, 5th Bienal da Maia, Maia, Portugal
     Interseason, BAK, basis voor actuele kunst, Utrecht
     Hiroshima Art Document 2003, Hiroshima
     Global Village Garden, LandKunstLeben, Buchholz
     Infallible ― In Search of the Real George Eliot, Mead Gallery, Warwick Arts Centre
     Pegadas de Luz, cGac Centro Galego de Arte Contemporánea, Santigo de Compostela
     Process ― Landscape, KIASMA, Museum of Contemporary Art, Helsinki
2004 About Corporeality in Editions: Artist Books, Prints and Photography, Galerie Lelong, Zurich
     Fotografie-Austellung, Barbara Gross Galerie, Munich
     Infallible, In Search of the Real George Eliot, Huddersfield Art Gallery, Huddersfield
     Éigse, Carlow Arts Festival, Carlow
     European portrait 2, XI. Rohkunstbau, Gross Leuthen
     The Dream Island, Noass Art Centre, Riga
     Half a century of Portuguese Art 1944―2004, MNAC, Museu do Chiado, Lisbon
     Seminarium, LandKunstLeben, Steinhöfeler
     Dorf in die Metropole, Künstlerhaus Bethanien, Berlin
     Effort, Koldo Mitxelena Kulturunea, Donostia/San Sebastian
2005 Miradas y Conceptos en la coleccion Helga de Alvear, 
    Museo Estremeño e iberoamericano de Arte Contemporáneo, Badajoz
     Infallible, In Search of the Real George Eliot, Hatton Gallery, 
    Newcastle University, Newcastle
     Thinking of the Outside, St Nicholas Markets, Bristol
     Itinerarios del Sonido, Plaza del Callao, Madrid
     The Gesture: A Visual Library in Progress, Macedonian Museum of Contemporary Art, 
    Thessaloniki; Quarter, Centro Produzione Arte, Florence
     Del Zero al 2005: Perspectivas del Arte en Portugal, Fundación Marcelino Botin, Santander
     Sports illustrated, Islip Art Museum, Long Island, New York
2006 De dentro, National Centre for Contemporary Arts, Moscow
     Around the World in Eighty Days, ICA Institute of Contemporary Arts/South London Gallery, London
     Helga de Alvear ― Conceitos para uma colecção, Centro Cultural de Bélem, Lisbon
     Eldorado, Musée d’Art Moderne Grand-Duc Jean, Luxembourg
     Territorio Oeste,  Museu de Arte Contemporáneo Union Fenosa, La Coruña
     Entre a palabra e a imaxe, Fundación Luis Seoane, La Coruña
     Contemporary Portugal, Galerija Vartai, Vilnius
2007 Voyage...Evasion, Frac Languedoc-Roussillon, Montpellier
     Entre a palavra e a imagem, Museu da Cidade, Lisbon; Centro Cultural Vila Flor, Guimarães
     Descartáveis, Exposição de Arte Pública, Lisbon
     Terra Incognita, New Langton Arts, San Francisco
     Circulacao Livre/Toll Free, Teatro Lethes, Faro
     Cinema Paradiso, ACCA, Australian Centre for Contemporary Art, Melbourne
     Outras Zonas de Contacto, Museu da Cidade, Lisbon
     Résidents, Espace EDF Electra, Paris
     Fabrice Gygi―Vidéothèque mobile, Frac Ile-de-France, Le Plateau, Paris
     A propos des lieux d’origine ― Portugal agora, Musée d’Art Moderne Grand-Duc Jean, Luxembourg
2008 All that cinema, Ludwig Museum, Museum of Contemporary Art, Budapest
    (I’m Always Touched) By Your Presence, Dear ― New Acquisitions, Irish Museum of Modern Art, Dublin
     A volta do papel, 1000 Artistas, Centro de Arte Manuel de Brito, Oeiras, Portugal
     Drawing a Tension ― Works from the Deutsche Bank Collection, Fundação Calouste Gulbenkian, Lisbon
     Panopticart, Musée Fabre, Montpelllier
     Lá fora (Artistas Portugueses), Museu da Presidência da República, Viana do Castelo and Lisbon
     One of these things is not like the other things, 1/9 unosunove arte contemporanea, Rome
     Video works from Portugal, Spike Island, Bristol
    
WORK IN PUBLIC COLLECTIONS

     Arts Council England, London
     Banco Espírito Santo, Lisbon
     Caixa Geral de Depositos, Lisbon
     Centro de Arte Moderna, Fundação Calouste Gulbenkian, Lisbon
     Centro Galego de Arte Contemporánea, Santiago de Compostela
     Centro de Artes Visuales Helga de Alvear, Cáceres, Spain
     Deutsche Bank, Germany
     Frac Languedoc-Roussillon, Montpellier
     Frac Champagne-Ardenne, Reims
     Fundação de Serralves, Oporto
     Fundación ARCO, Madrid
     Fundación Coca Cola, Madrid
     Fundación Centro Ordóñez-Falcón de Fotografía, San Sebastian
     Ministry of Culture of Portugal, Lisbon
     Irish Museum of Modern Art, Dublin
     KIASMA Museum of Contemporary Art, Helsinki
     Ludwig Museum―Museum of Contemporary Art, Budapest
     Musée d’Art Moderne Grand-Duc Jean, Luxembourg
     Museu do Chiado―Museu Nacional de Arte Contemporânea, Lisbon
     Museu da Cidade, Lisbon
     South London Gallery, London

MONOGRAPH PUBLICATONS

     Philip Courtney, João Penalva,　Sala Atlântica, Oporto 1987
     Wiliam Jeffett, João Penalva,　Francis Graham-Dixon Gallery, London, 1987
     Andrew Renton, João Penalva, ‘The Rabbit and the Genre’, 
    Francis Graham-Dixon Gallery, London, 1989
     Marjorie Allthorpe-Guyton, ‘Collector’; Alexandre Melo, ‘A repertory and its effects’; 
    Ruth Rosengarten, ‘In conversation with João Penalva’, João Penalva, Centro de Arte Moderna, 
    Fundação Ruth Rosengarten, João Penalva, ‘Two makes one better’,Atlântica, Oporto 1990
     Galeria Eduardo Paz Barroso, João Penalva, Galeria Atlântica, Oporto 1990
     Gareth Jones, Gill Hedley, Andrew Renton, João Penalva, ‘Conversation, London, 
    26th of August 1993’, João Penalva ― ‘7 Pinturas’, Galeria Atlântica, Oporto 1993
     João Penalva, Arquivos, II Jornadas de Arte Contemporânea, Câmara Municipal do Porto, Oporto 1993
     João Fernandes, Joao Penalva, Galeria Pedro Oliveira, Oporto 1994
     Andrew Renton, ‘Honest John; how to break a leg and influence people’; 
    João Penalva, Widow Simone (Entr’acte, 20 years); João Penalva, Widow Simone, 
    XXIII Bienal Internacional de São Paulo, 
    Instituto de Arte Contemporânea/Ministério da Cultura, Lisbon 1996
     Isabel Carlos and João Penalva, ‘Apropos the Ormsson Collection’; Ana Cristina Leite, 
    ‘The Collection, the Collector, the Museum’, The Ormsson Collection, presented by Joao Penalva,
     Museu da Cidade, Lisbon 1997
     Iwona Blazwick, ‘Wallenda’; Dan Cameron, ‘A split in time’; Juan Cruz, 
    ‘Fictionalizing: João Penalva’s Character and Player’; Juliana Engberg, 
    ‘Cinema Chartreuse’; Andrew Wilson, ‘LM44/EB61’;　Jãao Penalva and Andrew Renton 
    ‘So you still don’t believe me’　Joao Penalva, Centro de Exposições, 
    Centro Cultural de Belém, Lisbon 1999
     João Penalva, 336 PEK,　Frac Languedoc-Roussillon and Camden Arts Centre, Montpellier and London 2000　
　　　Silvia Eiblmyer, Character and Player, Galerie im Taxispalais/Triton Verlag, Innsbruck and Vienna 2000
     Francis McKee and Joao Penalva, On the other hand, this is not my voice, Tramway, Glasgow 2000
     Mark Gisbourne, ‘Narrative of the senses’, in CLOCK/TEACH TOUCH, 
    Edition Public Art Development Trust, London 2000
     Pedro Lapa, ‘Sense and Subversion’, R., XLIX Biennale di Venezia, 
    Instituto de Arte Contemporanea/Ministry of Culture of Portugal, Lisbon 2001
     Guy Brett, ‘To be Penalva’s public’; Mark Gisbourne, 
    ‘In the absence of Absalom’; Yuko Hasegawa/João Penalva ‘A conversation in London’; Pedro Lapa, 
    ‘Repetition against the law’, Joao Penalva, Electa, Milan 2001
     João Fernandes, João Penalva, Joao Penalva, 
    Irish Museum of Modern Art, Ludwig Museum― Museum of Contemporary Art, 
    Serralves Museum of Contemporary Art, Oporto 2005
     Katharine Stout, Morgan Fisher, João Penalva, Mead Gallery, 
    Warwick Arts Centre, The University of Warwick, Coventry 2007

ARTIST’S BOOKS

      Looking up in Osaka, texts by Yuko Hasegawa and João Penalva, 
     Azinhagas e Ribanceiras Edições, Lisbon 2008. Ed. 500, signed, numbered.
      Spaces between 5 chairs, text by João Penalva, 
     Azinhagas e Ribanceiras Edições, Lisbon 2008. Ed. 500, signed, numbered.

SELECTED ESSAYS in Books and Catalogues

      Bernardo Pinto de Almeida, in ‘Um olhar sobre a pintura portuguesa contemporânea’, 
     Fundação de Serralves, Oporto 1988
      Enrique Juncosa, in ‘Four painters from London’, 
     Galería Colégio de Arquitectos, Malága, 1991
      Michael Archer, ‘João Penalva’ in The day after tomorrow, Electa, Milan 1994
      Jérôme Sans, ‘João Penalva, ‘Entr’acte, 20 years’, in La sphère de l’intime, 
     Printemps de Cahors, Publications Actes Sud, Arles 1998
      Juliana Engberg, ‘João Penalva’ in Signs of Life, I Melbourne International Biennial, Melbourne 1999
      Isabel Carlos, Nuno Faria, Lúcia Marques, ‘João Penalva’, in Initiare, IAC/CCB, Lisbon 2000
      João Penalva - Annie Fletcher, ‘Interview,’ in Berlin Biennale 2, Oktagon Verlag, Cologne 2001
      Pedro Lapa, ‘R.’ in La Biennale di Venezia, vol. 2, Electa, Milan 2001
      James Putnam, ‘João Penalva’ in Art and Artifact, Thames and Hudson, London 2001
      Mark Francis, ‘João Penalva’ and ‘Mark Francis and Joao Penalva Interview’, in fig-1, 
     Spafax Publishing in association with tate: the art magazine, London 2001; 
     Walther Koenig Books, London 2002
      Brigitte Huck, ‘João Penalva’ in ‘Diesseits und jeseits des Traums’, 
     Sigmund Freud Museum, Vienna 2001
      João Penalva and Matts Liederstam in conversation’, in Rooseum Provisorium, Rooseum, Malmö 2002
      Nicolas de Oliveira, Installation Art in the New Millennium, Thames and Hudson, London 2003
      Francis McKee, ’Spinning Yarn’; João Penalva, ‘An Introduction to Mister’, 
     Biennale of Sydney, Sydney 2002
      Andrea Jahn, Ralf Christofori, ‘ João Penalva’ in Body Power/Power Play, Hatje Cantz, 
     Ostfildern-Ruit 2002
      Juan Antonio Alvarez Reyes, Ahalegina/Esfurezo, 'El esfuerzo y sus carencias', 
     Koldo Mitxelena Kulturunea, Bilbao 2004
      Anders Kreuger, Periferic 6, Prophetic Corners, 'Prophetic Corners. Dealing with the future.', 
     Musatinii Publising House, Suceava 2003
      Octavio Zaya, FILES, (Mr Yamato artist project), Museu de Arte Contemporáneo de Castilla y Léon, 
     Léon 2004
      Mark Gisbourne, ‘A house in the country’, Ein Europäische Portrait 2, Rohkunstbau, Berlin 2004
      Guy Brett, ‘To Be João Penalva’s Public’, in Carnival of Perception, Selected Writings on Art, 
     Institute of International Visual Arts, London 2004
      Tacita Dean, Jeremy Millar, Place, Thames and Hudson, London 2005
      Margot Heller, Kit Hammonds, Around the World in Eighty Days, ICA/SLG, London 2006
      Anna MacDonald, ‘The Bell-Ringer’, Cinema Paradiso, ACCA, Australian Centre for Contemporary Art, 
     Melbourne 2007

DOCUMENTARY FILMS ON THE ARTIST

      Bildjournalen, 5 min 47 sec. Directed by Pontus Kyander, Swedish Television, 1997
      João Penalva, 1993-1998, 35 min. Valentim de Carvalho for CCB, Lisbon 1998
      Bildjournalen, 12 min. Directed by Pontus Kyander, Swedish Television, 2002
      Character and Player, 55 min. Directed by Luis Alves de Matos, RTP 2, Portuguese Television, 2002


BIBLIOGRAPHY (Selected Reviews)
http://homepage.mac.com/joaopenalva/